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| “An impeccable 
		technique, a compelling expression… Born in 1970 in Ankara, Türev Berki completed his 
		piano education as a student of Elif and Bedii Aran at the Aran Music 
		Centre, established by these renowned duo-pianists. He was awarded the 
		first prize at the 29th International Steinway Piano Competition 
		organized in Berlin in 1982. Berki also ranked among top five prize 
		winners at the Senigallia International Piano Competition held in Italy 
		in 1983. Türev Berki was the first Turkish pianist to be 
		invited to the Sopot Music Festival in Poland in 1990. In 1993, he gave 
		a recital in Washington D. C. as a cultural ambassador to the United 
		States of America within the framework of the events marking the 
		70th anniversary of the Turkish Republic. His performance at the 
		world-famous Carnegie Hall of New York in 2001, as part of the Moons and 
		Stars Project, received great reviews. 1991 was the year when Berki decided to continue 
		his career from a different perspective and with a different intensity 
		as a pianist and a music theoretician. Born to a mathematician father 
		and a lawyer mother teaching at university, this decision grew out of 
		his lifelong interest in scientific work and a lifestyle as an 
		academician as well as his passion for understanding music. In 1997, with the academic coaching of Prof. Dr. 
		Ali Uçan, he completed six years’ work on his doctoral dissertation 
		entitled A Framework Cadenza Model on Mozart’s Piano Concertos, to be a 
		clarification of Mozart’s view of cadenza and received with great 
		enthusiasm among scientific and artistic circles. This different 
		identity both as a performer and a scientist paved for Berki to be 
		acclaimed in 1998 as the Outstanding Young Person of Turkey in the field 
		of Cultureby Junior Chamber International, one of the world’s largest 
		career organizations, and to be awarded the Hacettepe University Art 
		Prize in 2008. Berki continues to work on musical 
		analysis and systematic musicology as a professor in the Department of 
		Musicology, Ankara State Conservatoire, Hacettepe University. As a soloist, Berki has performed on the same 
		stage as some of the most prominent conductors including Andrey 
		Anihanov, Antonio Pirolli, Erol Erdinç, İnci Özdil, Sıdıka Özdil 
		Gardner, Naci Özgüç, Hakan Kalkan and Orhun Orhon for the concerts he 
		has given together with highly-reputed Turkish orchestras. Within this 
		framework, his professional collaboration with the Özdil sisters since 
		2006 has produced outstanding performances of contemporary Turkish 
		composers’ works staged at world and Turkish premieres. Among those, the 
		world premiere of İlhan Usmanbaş’sPiano Solo and 12 Instruments was 
		performed by Berki and orkestra@modern conducted by İnci Özdil for the 
		25thInternational Ankara Music Festival in 2008, 16 years after the work 
		was written. The CD illustrating this performance is attached to the 
		book entitled Those Were the Immortal Sea Stones (Yapı Kredi 
		Publications, 2011) written by Evin İlyasoğlu, depicting the life and 
		works of Usmanbaş. Türev Berki, Sıdıka Özdil Gardner and members of the 
		Antalya State Symphony Orchestra performed at the Turkish premiere of 
		Özkan Manav’s Reflections, Op. 20b in 2007. Berki’s contribution to the promotion and 
		recognition of contemporary Turkish music is not limited to the 
		activities listed above. In almost all the recitals he has given abroad, 
		a work of a Turkish composer has been included in the programme. During 
		his recital at the University of North Texas in 2006, Berki’s 
		performance of the Ten Etudes on Aksak Rhythms, Op. 38 by Ahmed Adnan 
		Saygun was enthusiastically received and later added to the repertoire 
		of the DMA Programme in Piano Performance of the University’s College of 
		Music. In recent years, Berki has been concentrating on 
		themed concerts and conference-recitals shaped by a musicological 
		perspective. These include Barber Night embodying comparative analyses, 
		where he performed all the works for solo piano by Samuel Barber in 2006 
		and a Bartók performance in which he shared the same stage as pianist 
		Pamela Mia Paul and the percussionists Christopher Deane and Mark Ford 
		in 2008. The Project called Two Countries, Two Cultures, One 
		Performer created by Berki and organized by Rotary International has 
		been instrumental in presenting works by a wide range of Austrian and 
		Turkish composers from Wagenseil to Usmanbaş and from Schmidt to Erkin 
		for a large number of music lovers, attracting a great deal of interest 
		in both countries. Türev Berki has been a Steinway Artist since 
		1998. 
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